![]() ![]() ![]() The cabinets seemed to ward off all known defensive spells, as they were successfully used to transport several Death Eaters from Borgin and Burkes into Hogwarts School, and Graham Montague was able to Apparate into Hogwarts despite the protection spells of the school normally preventing such an action. If an object had been placed in one, it would appear in the other. And “The Weasley Stomp,” a lively orchestral dance with gorgeous timbres, is a nice send-off.Fred Weasley: " He never managed to get all the words out, due to the fact that we forced him headfirst into that Vanishing Cabinet on the first floor." Hermione Granger: " But you'll get into terrible trouble!" Fred Weasley: " Not until Montague reappears, and that could take weeks, I dunno where we sent him." - How Fred and George Weasley punished Graham Montague Ī pair of Vanishing Cabinets would act as a passage between two places. ![]() ![]() “Wizard Wheezes,” a big band-style workout, did not appear in the movie, but nicely fits into the album’s flow. By contrast, “When Ginny Kissed Harry,” which accompanies a key moment in the narrative, is romantic in flavor. One striking cue is “Inferi In the Firestorm,” where Hooper turns to the dissonance of the Second Viennese School of Schoenberg, et al, for inspiration. (In the film, “In Noctem” is heard over the closing credits.) The soundtrack is both varied and thoroughly cohesive. The album’s second cut, “In Noctem,” a choral piece featuring Latin lyrics, includes musical material that reappears throughout the score. The pair worked together on the Brit TV series, The Girl In the Café and the feature film, Harry Potter and the Order of the Phoenix, and the score that Hooper composed for the Yates-directed Harry Potter and the Half-Blood Prince is excellent. British composer Nicholas Hooper and British director David Yates have a track record of successful collaboration. ![]()
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